‘My Father is a Pirate’

spch-mystery

It should be no surprise that I’m watching Space Pirate Captain Harlock: it’s about a chap who captains pirates, in space! The presence of pirates – of fictional pirates, not the depressingly prosaic Somali kind, or petty internet pirates like me and (if you use fansubs) you – is almost a guarantee of excitement, and so a story about pirates in space could only really be improved by adding a Gundam. Harlock (recently reviewed by psgels) almost manages to make even that deficiency up by being full of incident and infused with some kind of distilled Spirit of Adventure.

(Since we’re on the subject, I’ve heard rumours that this anime might appear legally on that streaming site – what was its name? ‘Brittlebun’, or something. Since it has had a longstanding presence across the Atlantic (probably despite, rather than because, of Toei’s own efforts), it’s somehow fitting that Harlock might still be at the cutting – or bleeding – edge of anime distribution, whatever one thinks of Brittlebun. Not that it’s available to viewers over here, of course, but it’s still really fitting – and that’s some comfort, isn’t it?)

I’ve only watched roughly the first fifth of the series so far, but I felt the need to try to crystalise a few of my thoughts – stimulated by one or two posts from other bloggers – by writing them down.

spch-thescene

So. Earth has become a single, united state, but it’s a hedonistic dystopia. The citizens are kept passive by subliminal messages in their television, while Earth’s Parliament takes breaks to watch horse races and the Prime Minister himself is more concerned with his golf handicap than with serving his country. The world’s response to the threat of an alien invasion is predictably supine.

Harlock sums all this up in the image of the collapsed Statue of Liberty at the beginning of the third episode. I find this particular dystopia unusually depressing, probably because it’s all too easy to draw the connections between Harlock‘s television-controlled world of apathy and the real world. More than a third of the British electorate don’t care enough about their government to vote. ‘Where are we going, and why are we in this handbasket?’ But then I am not instinctively a fan of democracy, so perhaps my views should be discounted.

Harlock and his crew aren’t apathetic, which may be why they’re outcasts (a lot of the characters’ pasts have not yet been revealed, beyond the odd hint here and there), and they are the only ones to step forward when Earth is threatened. The lyrics of the opening song neatly encapsulate Harlock’s heroism: he’ll defend Earth with his life even if its government outlaws him, even if its citizens don’t seem worth defending, and even if the planet itself is doomed. Maybe Earth has the government it deserves, but it’s certainly completely unworthy of its defenders.

lbrevis (otherwise Alex of East Anyhow) remarked that this show is full of ‘unabashed masculinity’ and very low on irony. Put those facts together, and you have quite an uncompromising story: if you’re a man you’ll fight under Harlock’s flag of freedom, and if you don’t feel even a twinge of a desire to fight under Harlock’s flag of freedom then it may not be the show for you.

spch-grave1

Harlock’s power has not, as yet, been questioned or undermined in any way, but besides run-of-the-mill badassery he’s also a surrogate father for two different orphans, Tadashi Daiba (a fourteen-year-old) and Mayu (the seven-year-old daughter of Harlock’s deceased friend). Mayu’s the lever which introduces us to Harlock in the first episode, in which Harlock visits her to deliver a birthday present (a hand-carved ocarina) despite the efforts of Earth’s military.

Some time ago, while performing some myth-criticism on Gurren Lagann, Cuchlann pointed out that ‘[a]n orphan, by being the child of no one, becomes the child of everyone’ – ‘the town, state, world’. I think that might be a useful idea. Mayu is being brought up in an institution of some kind which is probably, given its rural surroundings, somewhere out of the way. The state doesn’t seem to pay her much attention, except as bait with which to trap Harlock, but since the state itself is so diseased she might be quite lucky to be neglected: while the countryside she lives in isn’t entirely safe (see below) it looks healthier than the show’s cities.

Thinking that child-of-everyone idea over, I think that, besides seeing an orphan’s community as a whole as a parent, I instinctively assess particular adults surrounding the orphan on their performance as replacement parents. The two women in charge of Mayu definitely feel like evil stepmothers. In fact, one of them turns out to be someone else in disguise, which I recall being an unpleasant fear that I would occasionally entertain about my own parents when I was a child. (I had only just outgrown it when I discovered that Dick had written a short story, ‘The Father-Thing‘, on the subject.)

I say ‘evil-stepmother’ advisedly, as Mayu’s story so far feels a bit like a fairytale. In the second episode, for example, she has to draw water from a local stream to wash a chapel floor as a punishment for refusing to betray Harlock, and the matron sends people to the chapel regularly so that the floor never becomes clean. Mayu consequently has to keep travelling to the stream at night as well, and on one of these nocturnal trips she’s attacked by a wolf. (Of course, Harlock arrives to save the day in a suitably dramatic fashion.)

spch-protection

In Mayu’s case Harlock is a father-figure who is generally busy with Pirate Stuff, but for Daiba he’s a near-constant presence. Daiba (whose hairstyle is not, it must be said, shown to its best advantage in the above image) spends a lot of his time Doing It Wrong, at least at this point in the story, and, judging from the attention Harlock pays to his progress, he’s almost apprenticed to Harlock. I wasn’t sure that Harlock was definitely playing a paternal role for Daiba until this scene in the ninth episode: the two of them are surrounded by aggressive aliens and Daiba backs up against Harlock, who hums a tune which (I think) Daiba briefly played on an inherited instrument earlier in the episode.

Harlock is Daiba’s surrogate father, but not exactly the kind that Nomad Otto describes: rather than being a conveniently expendable surrogate father who doesn’t permanently threaten the hero’s position, he pretty much is the hero, at least so far. But then there’s no rule that says we can’t have an alien invasion action saga whose hero isn’t an adolescent becoming an adult. Harlock gives us that development partly from the mentor’s point of view, which does feel rather odd.

It feels more than odd, though: it feels like Seirei no Moribito, which is definitely a good mark for Harlock in my book. I admired SnM‘s Balsa, in a way that I rarely admire characters in anime or manga, and if this show keeps on its current course I suspect I’ll wind up feeling the same admiration for Harlock. This reaction might not help me to think about the story, but hopefully it’ll help me enjoy it.

(Perhaps it’s also worth mentioning that I don’t see Harlock as a father to most of his crew, like Yamato‘s Okita, for the (probably far too) simple reasons that he doesn’t look old enough, and that his crew, excepting Daiba, are a pretty capable bunch, in their own slightly anarchic way. This is what makes his relationships with Mayu and Daiba stand out in the first place.)

9 responses to “‘My Father is a Pirate’

  1. Iwas just about to start watching this, but Brittlebun is only allowing US/Canada residents to watch the stream, which makes them far more of a threat to humanity than the Mazone ever were.
    Come to think of it, Toei just quashed the Voltron live movie project, so they’re basically ruining my life!

    I think that IRL orphans usually end up being children of absolutely no one, but yeah, definitely in anime they tend to soak up the love. around them.

  2. Mayu really isn’t an orphan… not REALLY… but you’ll see. Keep watching, it gets really good and there’s a flashback episode with Kei Yuki in 70s bellbottoms and it’s not retro, it actually was the 70s!

  3. Glad to see that somebody else is watching and enjoying Harlock as I’ve become rather obsessed with this show and wish that more people would become interested in it too.

    I definitely see Harlock as a paternal figure to Daiba but I agree that’s not exactly the case with the rest of the crew. His whole philosophy of freedom (follow me only if you want to follow me… but you will if you’re a REAL MAN) makes for an interesting and somewhat unusual relationship between himself and the crew.

  4. Man, you guys are lucky – only a third don’t care? Last election out in the colonies (Canada, to be precise), we had a voter turnout of less than sixty percent – and now we’re facing a possible usurpation of our current minority by a coalition, but that’s another story…

    Technically though, I think Harlock qualifies more as a Space Vigilante with a Socrates complex, unless he’s regularly raiding commercial shipping. In a way, he reminds me of a more benevolent Hook, especially in light of lbrevis’s comments – a character straight out of a boys adventure story.

  5. A friend of mine recently showed me the first episode from the remastered DVD release and I was really, really blown away by how absolutely gorgeous it looks.

    I think we watched Cybernetics Guardian after that, but it definitely piqued my interest. Unfortunately, I don’t think online downloads will cut it after seeing those DVDs.

  6. @ animekritik: I heard that Toei and Brittlebun were jointly responsible for the world economic downturn, the Crucifixion and the existence of polio, too.

    I think cuchlann’s point was meant to applicable to storytelling in general, but you’re right that orphans in anime are usually either doing well in isolation or being well cared-for. Doubtless the picture for real-life orphans is not nearly so rosy.

    @ dave merrill: Mayu’s not really an orphan? Intriguing . . . I’m definitely going to keep on with Harlock, and the idea of non-retro retro costume is quietly very amusing.

    @ Lbrevis: Well it was partly your post at OH! that reminded me to get round to watching it, so pat yourself on the back for helping to create another ‘convert’!

    I’ve noticed that Harlock’s concern for freedom extends even to his treatment of Daiba: several times, I’ve seen him let Daiba try and fail at something, or act irrationally, before stepping in after the act.

    @ Vendredi: Ooh, coalition politics. In some ways, I’m quite glad that we have a two-party system, as we’re spared the machinations of coalitions. Kaioshin (of Anime History) did a post comparing various players in the recent Canadian politicking to Code Geass characters, though I don’t think I stored the link.

    We do see Harlock raid some shipping near the beginning of the story, but he only takes food. It feels more like he’s adopted the imagery associated with piracy (a skull-and-crossbones in space? in the twenty-third century?) as a reaction to being outlawed by Earth. Though in the tenth episode he does remark that some of his more outrageous battle tactics are distinctly piratical.

    @ Sean: Remastered DVDs? If only I had money and time . . . Harlock strikes me as something that would be pretty good on a big home cinema system. It helps that the sweeping background music is so good.

  7. Still a Matsumoto fan myself. Although I do have to admit, I like the space train better than I like Harlock.

  8. As cool as the concept of a train in space is, it lacks pirates.

  9. Currently watching Yamato and Harlock is definitely on my to-watch-list for my eras marathon. Definitely looking forward to this one.

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