GAR (VI): Further Musings

Shamelessly swiped from Beta-Waffle¹

In my last entry on GAR, I suggested that, through a (usually unconscious) process of emulation, watching an anime laden with GAR can be good for one’s character. In the process of replying to those who kindly commented, I began to feel the need for (yet) another GAR entry rather than my usual ‘epic-length’ ['Of arms and the GAR I sing'] reply-comments. Sadly, therefore, this is less a coherent argument, and more a set of musings.

GAR (V): Why GAR is Good For You

‘This battle will be decided by whether or not you two stop acting like a pair of screaming amateurs.’¹

[This is part of a series of entries considering GAR. The first one sets out what’s happening, the second reinterprets the epic tradition through the lens of GAR, the third examines the relationship between GAR and gender and the fourth makes the case for moral GAR.]

Moving away from moral GAR back to GAR considered in general terms, I’m now going to explain how GAR can make you thin in just 28 days! why GAR is (mostly) a good thing for the anime viewer. [I'm keeping The GAR Diet to myself 'til the patent comes through.]

GAR (IV): Akagi vs. Kaiji, and Moral GAR

This is what happens when a Victorian imagines a knight¹

[This is part of a series of entries considering GAR. The first one sets out what’s happening. The second one reinterprets the epic tradition through the lens of GAR. The third one examines the relationship between GAR and gender.

Contains minor-to-moderate spoilers for Akagi and for the first sixteen episodes of Kaiji.]

Akagi and Kaiji are closely linked by sharing the same manga-ka and by the similarities in their anime adaptions. Comparisons are quite revealing, and allow us to draw some wider conclusions about the nature of GAR, as well as the role of weakness and sacrifice.

GAR (III): GAR and Gender

One man’s fanservice is another’s relevant artwork
(one of these people is a reverse trap)

[This is part of a series of entries considering GAR. The first one sets out what’s happening. The second one reinterprets the epic tradition through the lens of GAR.

I don't like this entry very much. It seemst to me to be a collection of disparate fragments of argument. However, I think it is worth posting in any case, and I promise that the next one in the series will be more focused.]

GAR (II): Epic GAR

How Culture makes one popular

[This is part of a series of entries considering GAR. The first one sets out what's happening.]

I had already felt GAR before I encountered the concept. After all, ‘unconquerable courage, the sheer will to accomplish the impossible, the willingness to sacrifice all for victory, and the ability to openly mourn the loss of something worth dying for’ have existed in storytelling generally long before anime. Indeed, for all that it’s compared to virtus, GAR’s history stretches back long before the Romans themselves. So indulge me – or ignore me – as I look back to an older meaning of ‘epic’.

GAR (I): Prelude to the Storm

Image chosen with care, trust me

GAR is fascinating. Or at least if you’re partially emasculated by working in seminar groups with a 1:4 male-to-female ratio it is. And I would be forced to commit ritual suicide with my very fine Parker fountain pen if I couldn’t adequately explain a word. Now that SaiGAR ‘08 getting into full swing, the time would seem to be ripe for me to build together a few thoughts on GAR. Entirely in keeping with my habit of applying too much thought to too little matter, of course.

Rather than fitting all this into one post, I decided to split it up into a series, and scatter the resulting posts among the rest of my blogging. Hopefully this way each individual argument will be discernable, but they will still form a cohesive whole. Also, things won’t just be a flood of tl;dr.

So cut yourself a slice of sunshine pie, pour out a cup of MANLY TEA and settle down for the not-entirely-serious ride.