GAR (III): GAR and Gender

One man’s fanservice is another’s relevant artwork
(one of these people is a reverse trap)

[This is part of a series of entries considering GAR. The first one sets out what’s happening. The second one reinterprets the epic tradition through the lens of GAR.

I don’t like this entry very much. It seemst to me to be a collection of disparate fragments of argument. However, I think it is worth posting in any case, and I promise that the next one in the series will be more focused.]