Psychological thriller which will probe the very darkest depths of the human soul
Genres are words – labels – we attach to things, as part of some giant, messy and Escher-esque Venn diagram. As genres are words, it’s all a matter of definition by example, which I have harped on about before. Continuing my commitment to be descriptive rather than prescriptive, I thought I’d throw down [?] a few thoughts on the way that we classify anime.
[The first two parts of this post are the boring bits. The third part is the interesting bit. Feel free to skip ahead.] Continue reading
Potemayo and Kaiji are not, perhaps, two series which one would immediately think of as candidates for a dual-subject blog entry. What they share, however, is the use of simplification – whittling away external distractions – to focus more clearly on something.
This post is dangerously long and contains spoilers for Kaiji up to and including the fourteenth episode. It also contains spoilers for Potemayo, but if you’re watching Potemayo for its deep and thrilling storyline then you have more serious problems.
The Blob, The Whole Blob, And Nothing But The Blob
A simple desire, simply expressed
Potemayo is widely noted for taking the concept of a ‘moeblob’ literally: Potemayo and Guchuko are blob-like beings (their existence is never explained, but that’s not the point) who provoke moe reactions. Their size and appearance is an obvious starting point for this process, as we naturally feel protective towards small, cute things. From this point on, however, the two blobs diverge somewhat. Continue reading
Garmbling in action
On the eleventh day of Christmas, my true love sent to me
Eleven Debtors Garmbling,
Ten Mu A-Questing,
Nine Spears A-Striking,
Eight Butlers Battling,
Seven Mingin’ Monsters,
Six Shower Showdowns,
Five Flag Furores,
Four Gundam Bishies,
Three Empty Paragraphs,
Two Heroes Dueling
And a Bloodstained Euphie. Continue reading