Where We’re Going…

Maybe Kycilia told you that the Zeong is only eighty percent complete, says the mechanic, but it’s at one hundred percent of its operational capability. Legs? Legs are merely a matter of appearance, whatever the officers think.

How I Failed Axiology 101

Objectively not great, but emotionally 3x better than any other AMV.

The (dis)connection between love for anime and anime’s good quality is something that’s been bouncing around in my head for a while, and Demian’s recent post on ‘Liking Bad Anime’ (hopefully to be followed in the future by Baka-Raptor on ‘Hating Good Anime’) was all the provocation I required. Yes, my post is a sterile piece of amateur thought and no, you don’t have to read it.

An apology is in order, as I don’t normally permit myself to write this kind of entry. Normally I try to briefly explain any necessary jargon, but I’ve just forged full steam ahead here, because I imagine readers who are interested will either understand any jargon that there is here (I’ve trimmed as much as I can), or look it up. I should probably also apologise for muddled thought, but there’s not much to be done about that.

Those Magnificent Men In Their Fighting Machines

‘Mecha’, as a genre, is odd: there’s nothing obvious inherent in our humanity which makes us hungry for titans of steel beating seven kinds of coolant out of each other in the same way that, say, people are prone to falling in love and so we hunger for stories about love. Mecha appear to be very much styling – however inextricably bound up with substance style is – in that most of the time you could replace them with some other weapon; you wouldn’t have the same show, but the character conflicts and action sequences could still remain in place. And indeed, it’s not unheard of for mecha to be inserted at the sponsors’ insistence.

Guncross, Madam?

It’s a bit like another Judgement of Paris¹

I finally thought I had conquered the urge to compare what are probably anime’s two most prominent mecha franchises, and Washi had to go and open the contrast-floodgates which I had just managed to close. Of course, I haven’t seen enough of either to properly do the job justice (Kaioshin ought to write this), but sometimes in life we simply have to use the best tools we have to hand, just as sometimes in anime we simply have to rely on the untrained teenager who’s been accidentally thrust into the cockpit of the military’s latest toy.

Death of the Animator

A strange and twisted journey into methodology, during which I will kill off all animators, everywhere, namecheck the Father of Western Literature and (the ultimate challenge) talk about Gundam without boring people who aren’t interested in Gundam.

Why the busty succubus? Read on to find out, or perhaps to find out why that’s the wrong question. Alternatively, if you’re not very interested in ‘Theory’ with a capital ‘T’, go read another anime blog – there are plenty of good ones out there – and wait for my next entry.