‘Waiter, there’re noises in this OP!’

I’ve been busy, writing essays and experiencing the loneliness of the long-distance reader. Here’s a list of some post ideas I’ve thrown together, but not worked up: a condensed review of The Skull Man; a post about honour in the eighth episode of Space Runaway Ideon; praise for the mechanical design of the ZZ Gundam; a piece on different attitudes to time and progress, and those attitudes’ effects on our viewing experience; a post asking just what I’ve been doing here, and why; and something approaching the Book of Darkness from Nanoha A’s as a metaphor for text in general (an idea which has no proper relationship with truth but which, like the Book of Darkness, practically writes itself). Some of these may see the light of day eventually.

And here’s a post that I have, more or less, written up. Newtype (the blogger, not the magazine) mentioned the presence of sound effects in some of the openings for Zeta Gundam. I squirrelled this point away in the back of my mind. Now I’m de-squirrelling it. This post is a slightly rambling survey of a fairly insignificant thing — the commentary category in all its glory — so don’t expect any thrilling conclusion. I’m currently a little tired of writing conclusions, thrilling or otherwise.

Detroit Metal City: Laughing on the Outside

Tear away the persona, then tear away the real person too.

I’ve been quite busy lately, and one of things I have turned to in my breaks is been Detroit Metal City. When the OVA adaption was originally being released there were a fair few positive and amusing posts about it, so I stored it away in my mind as a title for a rainy day. It seemed like a good idea to try it during last week’s downpour of deadlines.